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概要 Reloopが販売していたDJソフト。4in/out仕様のオーディオインターフェイスとソフトがセットになっておりWin/Mac両対応している。 SPIN! シリーズ最初のモデル。Win/Mac両対応（64bitは非サポっぽい）4in/out仕様でPHONO/LINEは自動で認識し切り替える。 +スペック表・SPIN! FEATURES Advanced digital vinyl system Interface Professional USB audio timecode interface Hi speed USB 2.0 data transfer ASIO drivers for extremely low latency periods Grounding screw for turntable connection Signal LEDs for inputs and outputs and USB control microphone input with large gain controller on the interface (6,3 mm jack) Headphones/master record output with large gain controller on the interface (3,5 mm jack) Universal phono/line inputs with automatic recognition Especially compact, robust and especially light interface chassis 2 high-quality, white RCA cabvles 1 high-quality, white adapter cable (3,5 mm jack to RCA) Dimensions 120 x 30 x 100 mm Weight 0.35 kg TECHNICAL DATA Software 3 selectable play modes (Classic Spin, Advanced Spin, Jog Spin) MicSpin function allows playing and scratching of previously recorded sounds via mic 3 master effects flanger, delay, filter Supported audio formats WAV, MP3, WMA, OGG Vorbis, Audio CD Advanced music database and tracklist organizer Advanced vinyl sound engine for authentic scratching and warm sound characteristics Auto gain and compressor/limiter for excellent sound characteristics Scratch and needle drop function for authentic turntablism Master tempo, BPM counter, graphic beat offset display and beat match assistant for comfortable mixing Advanced wave form analyzer (total track and track detail displays) and needle label monitor Seamless loop function for creative remixes Check marks for scratch, beat juggle, and cue points MIDI compatible for performance with DJ controllers Optimized plug-n-play with Reloop Digital Jockey Control medium 2 white Advanced Timecode records with track selection groove 2 white Advanced Timecode CDs Special high-resolution Advanced timecode on control records and CDs for precise handling SPIN! http //www.reloop.com/reloop-spin SPIN! 2 本体形状が変更され仕上げもブラックのラバー塗装に変わった他、Thru入力・ヘッドフォン出力追加、PHONO/LINE入力が自動認識から手動で切り替える仕様に変更等が行われている。Win/Mac両対応（64bitもサポート） +スペック表・SPIN! 2 FEATURES professionelles Digital Vinyl System Interface komplett neu entwickeltes professionelles USB-Timecode-Interface (4x4 Soundkarte) neu Rubber Paint-Finish und Brushed Alu-Deckplatte neu Phono/Line-Eingänge (Cinch) neu Erdungsschrauben und Phono-Vorverstärker für den Anschluss der Plattenspieler neu Thru-Ausgänge zum Durschleifen des Vinylsignals (Cinch) High Speed USB 2.0-Datentransfer ASIO-Treiber für extrem niedrige Latenzzeiten Signal-LEDs für Ein- Ausgänge 2 hochwertige schwarze Cinch-Kabel 1 schwarzes USB-Kabel Maße 180 x 84 x 130 mm Gewicht 0,70 kg TECHNICAL DATA Software überarbeitete Software mit neuen Features neu Umfangreiche Verbesserungen des Software-Flows u.a. für Master Tempo, Speed Mode, Beat Loop, Track Selection, Quick Search und Beatmatch View neu Nochmals verbesserte Systemstabilität neu Album Artwork-Darstellung mit Zoom-Funktion neu Schwarzes Spin! 2 Skin neu Optimiertes Performance-Skin mit maximierter Spin! Library neu Free MIDI-Learning erlaubt die Verwendung von externen Hardware-Controllern neu Spin! Juggle lädt und synchronisiert auf Knopfdruck den Track auf dem anderen Deck für Beat Juggling im Handumdrehen neu Beat Bar-Anzeige zählt den 4/4-Takt im verbesserten Beatmatch View für einen abgestimmten Gesamtmix neu Key Mode-Tonhöhenkorrektur für harmonisches Mixing 3 wählbare Abspielmodi (Classic Spin, Advanced Spin, Jog Spin) 3 Master-Effekte Flanger, Delay, Filter unterstützte Audio Formate WAV, MP3, WMA, OGG Vorbis, Audio-CD Spin! Library und Spin! List-Organizer Vinyl Sound-Engine für authentisches Scratching und warmen Klang Auto Gain und Compressor/Limiter für herausragende Klangqualität Scratch- und Needle Drop-Funktion für authentisches Turntablism Master Tempo, BPM Counter, grafische Beat Offset-Anzeige und Beat Match-Assistent für komfortables Mixing 3 Wave Form-Analyzer (Complete View, Zoom View, Beat Match View) und Vinyl-Label-Monitor 6 Markierungen von Scratch-, Beatjuggle- und Cue-Punkten pro Track nahtloses Beat-Looping für kreatives Remixing manuelles Looping mit Re-Loop-Funktion Kontrollmedien 2 schwarze hochauflösende Timecode-Vinyls mit Track-Selection-Rille 2 schwarze hochauflösende Advanced Timecode-CDs SPIN! 2 http //www.reloop.com/reloop-spin-2?___store=reloop_de ___from_store=reloop_en SPIN! 2+ SPIN! 2をベースに本体上部にCue/Loop/FX等操作可能なボタンとノブを配置。さらにマイク入力も追加された。Win/Mac両対応（64bitもサポート） +スペック表・SPIN! 2+ FEATURES professionelles Digital Vinyl System mit Interface-Controller Interface komplett neu entwickeltes professionelles USB-Timecode-Interface (4x4 Soundkarte) mit integriertem MIDI-Controller Weltneuheit 20 Full Size MIDI-Regler im DVS-Interface (13 Tasten, 6 Drehregler, 1 Trax-Encoder) zur direkten Steuerung der Software (Browsing, Looping, Cueing, Effektsteuerung, Beat Match, Spin und Pitch Mode) neu universeller Mikrofon-Anschluss (XLR/6,3 mm Klinke) mit zuschaltbarer 48V Phantomspeisung und Lautstärkeregelung neu Kopfhöreranschluss mit Split, Gain und Zero-Latency-Schaltung neu hohe Gummifüße zur praktischen Platzierung hinter dem Mischpult neu Rubber Paint-Finish und Brushed Alu-Deckplatte neu Phono/Line-Eingänge (Cinch) mit Gain pro Kanal neu Erdungsschrauben und Phono-Vorverstärker für den Anschluss der Plattenspieler neu Thru-Ausgänge zum Durschleifen des Vinylsignals (Cinch) High Speed USB 2.0-Datentransfer ASIO-Treiber für extrem niedrige Latenzzeiten Signal-LEDs für Ein- Ausgänge 2 hochwertige schwarze Cinch-Kabel 1 schwarzes USB-Kabel Netzteil Maße 180 x 84 x 130 mm Gewicht 0,80 kg TECHNICAL DATA Software überarbeitete Software mit neuen Features neu umfangreiche Verbesserungen des Software-Flows u.a. für Master Tempo, Speed Mode, Beat Loop, Track Selection, Quick Search und Beatmatch View neu nochmals verbesserte Systemstabilität neu Album Artwork-Darstellung mit Zoom-Funktion neu schwarzes Spin! 2 Skin neu optimiertes Performance-Skin mit maximierter Spin! Library neu Free MIDI Learning erlaubt die Verwendung von externen Hardware-Controllern neu Spin! Juggle lädt und synchronisiert auf Knopfdruck den Track auf dem anderen Deck für Beat Juggling im Handumdrehen neu Beat Bar-Anzeige zählt den 4/4-Takt im verbesserten Beatmatch View für einen abgestimmten Gesamtmix neu Key Mode-Tonhöhenkorrektur für harmonisches Mixing 3 wählbare Abspielmodi (Classic Spin, Advanced Spin, Jog Spin) 3 Master-Effekte Flanger, Delay, Filter unterstützte Audio Formate WAV, MP3, WMA, OGG Vorbis, Audio-CD Spin! Library und Spin! 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- visitors Maize Phosphoenolpyruvate Carboxylase http //www.jbc.org/content/280/12/11798.full A Takahashi-Terada, M Kotera, K Ohshima, T … - Journal of Biological …, 2005 - ASBMB Phosphoenolpyruvate carboxylases (PEPC, EC 4.1.1.31) from higher plants are regulated by both allosteric effects and reversible phosphorylation. Previous x-ray crystallographic analysis of Zea mays PEPC has revealed a binding site for sulfate ion, speculated to be the site for ... 2009 Bacterial-type phosphoenolpyruvate carboxylase (PEPC) functions as a catalytic and regulatory subunit of the novel class-2 PEPC complex of vascular plants http //www.jbc.org/content/284/37/24797.abstract B O Leary, SK Rao, J Kim, WC Plaxton - Journal of Biological Chemistry, 2009 - ASBMB Phosphoenolpyruvate carboxylase (PEPC) is a tightly regulated anaplerotic enzyme situated at a major branch point of the plant C metabolism. Two distinct oligomeric classes of PEPC occur in the triglyceride-rich endosperm of developing castor oil seeds (COS). Class-1 PEPC is ... 2008 Oxidative pentose phosphate pathway-dependent sugar sensing as a mechanism for regulation of root ion transporters by photosynthesis http //www.plantphysiol.org/cgi/content/abstract/146/4/2036 L Lejay, J Wirth, M Pervent, JMF Cross, P Tillard … - Plant …, 2008 - Am Soc Plant Biol Root ion transport systems are regulated by light and/or sugars, but the signaling mechanisms are unknown. We showed previously that induction of the NRT2.1 NO 3 – transporter gene by sugars was dependent on carbon metabolism downstream hexokinase (HXK) in ... Evolution of C4 phosphoenolpyruvate carboxylase in Flaveria determinants for high tolerance towards the inhibitor L-malate http //www3.interscience.wiley.com/journal/119398758/abstract?CRETRY=1 SRETRY=0 B Jacobs, S Engelmann, P Westhoff, … - Plant, Cell …, 2008 - interscience.wiley.com During the evolution of angiosperms, C 4 phosphoenolpyruvate carboxylases have evolved several times independently from ancestral non-photosynthetic isoforms. They show distinct kinetic and regulatory properties when compared with the C 3 isozymes. To identify the ... Kinetic analyses of recombinant isoforms of phosphoenolpyruvate carboxylase from Hydrilla verticillata leaves and the impact of substituting a C4-signature serine http //www.sciencedirect.com/science?_ob=ArticleURL _udi=B6TBH-4RPTJ4W-1 _user=10 _coverDate=04%2F30%2F2008 _rdoc=1 _fmt=high _orig=search _sort=d _docanchor= view=c _rerunOrigin=scholar.google _acct=C000050221 _version=1 _urlVersion=0 _userid=10 md5=ec011bac999ef45d83524838dc0edc5b SK Rao, JB Reiskind, G Bowes - Plant Science, 2008 - Elsevier Hydrilla verticillata (Lf) Royle is a single-cell C 4 NADP-malic enzyme species in which the C4 and Calvin cycles operate in the same cell; phosphoenolpyruvate carboxylase (PEPC; EC 4.1.1.31) is the initial carboxylase. The cDNAs of two Hydrilla PEPC isoforms were ... Maize C4-form phosphoenolpyruvate carboxylase engineered to be functional in C3 plants mutations for diminished sensitivity to feedback inhibitors and for … http //jxb.oxfordjournals.org/cgi/content/abstract/ern018v1 T Endo, Y Mihara, T Furumoto, H … - Journal of …, 2008 - Soc Experiment Biol Introducing a C 4 -like pathway into C 3 plants is one of the proposed strategies for the enhancement of photosynthetic productivity. For this purpose it is necessary to provide each component enzyme that exerts strong activity in the targeted C 3 plants. Here, a maize C 4 -form ... 2007 Physiological impacts of modulating phosphoenolpyruvate carboxylase levels in leaves and seeds of Arabidopsis thaliana http //www.sciencedirect.com/science?_ob=ArticleURL _udi=B6TBH-4M4CTJP-1 _user=10 _coverDate=02%2F28%2F2007 _rdoc=1 _fmt=high _orig=search _sort=d _docanchor= view=c _rerunOrigin=scholar.google _acct=C000050221 _version=1 _urlVersion=0 _userid=10 md5=982911798c6aebe8ea23429dc85bb8b6 B Lebouteiller, A Gousset-Dupont, JN Pierre, J Bleton, … - Plant Science, 2007 - Elsevier Arabidopsis thaliana was transformed with a Sorghum C 4 PEPC cDNA under the control of the 35S promoter. Primary transformants were isolated and classified on a seed PEPC activity basis A lines (two-fold increase) and B lines (four-fold increase). Primary transformants ... 2006 Light regulation of the photosynthetic phosphoenolpyruvate carboxylase (PEPC) in Hydrilla verticillata http //pcp.oxfordjournals.org/cgi/content/abstract/47/9/1206 S Rao, J Reiskind, G Bowes - Plant and cell physiology, 2006 - Jpn Soc Plant Physiol The submersed monocot, Hydrilla verticillata (Lf) Royle, is a facultative C 4 NADP-malic enzyme (NADP-ME) plant in which the C 4 and Calvin cycles co-exist in the same cell. Futile cycling is avoided by an intracellular separation of carboxylases between the cytosol and ... The importance of the strictly conserved, C-terminal glycine residue in phosphoenolpyruvate carboxylase for overall catalysis Mutagenesis and truncation of Gly-961 … http //www.jbc.org/content/281/25/17238.abstract W Xu, S Ahmed, H Moriyama, R Chollet - Journal of Biological Chemistry, 2006 - ASBMB Phosphoenolpyruvate carboxylase (PEPC) is a “multifaceted”, allosteric enzyme involved in C4-acid metabolism in green-plants/- microalgae and prokaryotes. Prior to the elucidation of the three-dimensional structures of maize C4-leaf and Escherichia coli PEPC, our ... 2005 In vitro proteolysis of phosphoenolpyruvate carboxylase from developing castor oil seeds by an endogenous thiol endopeptidase http //pcp.oxfordjournals.org/cgi/content/abstract/46/11/1855 V Crowley, S Gennidakis, WC … - Plant and cell …, 2005 - Jpn Soc Plant Physiol Two novel phosphoenolpyruvate carboxylase (PEPC) isoforms have been biochemically characterized from endosperm of developing castor oil seeds (COS). The association of a 107 kDa PEPC subunit (p107) with an immunologically unrelated bacterial PEPC-type 64 kDa polypeptide leads ...
https://w.atwiki.jp/touhoukashi/pages/971.html
【登録タグ Angelic Meister E SYNC.ART'S 仲村芽衣子 天河 -tenga- 感情の摩天楼 ～ Cosmic Mind 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/guitarhero/pages/56.html
Guitar Hero Smash Hits Guitar Hero、Ⅱ、Ⅲ、80sの4つのタイトルから48曲がマスター音源収録 WorldTour同様に４つの楽器パートになっている 6月16日発売予定 公式サイト http //smashhits.guitarhero.com 全４８曲 収録曲 Guitar Hero＠14曲 Godzilla - Blue Oyster Cult More Than a Feeling - Boston Smoke on the Water - Deep Purple Take It Off - Donnas The Donnas Hey You - Exies The Exies Take Me Out - Franz Ferdinand Unsung (Live) - Helmet Stellar - Incubus I Love Rock n Roll - Joan Jett and the Blackhearts Bark at the Moon - Ozzy Osbourne Cowboys from Hell (Live) - Pantera Killer Queen - Queen No One Knows - Queens of the Stone Age Thunder Kiss 65 - White Zombie Guitar Hero II＠19曲 Them Bones - Alice in Chains Beast and the Harlot - Avenged Sevenfold Mother - Danzig Monkey Wrench - Foo Fighters The Trooper - Iron Maiden Stop! - Jane s Addiction Carry On Wayward Son - Kansas Laid to Rest - Lamb of God Free Bird - Lynyrd Skynyrd Shout at the Devil - Motley Crue Heart-Shaped Box - Nirvana Message in a Bottle - Police The Police Killing in the Name - Rage Against the Machine Psychobilly Freakout - Reverend Horton Heat YYZ - Rush Trippin On a Hole In a Paper Heart - Stone Temple Pilots Freya - Sword The Sword Cherry Pie - Warrant Woman - Wolfmother Guitar Hero III Legends of Rock＠8曲 Miss Murder - AFI Through the Fire and Flames - DragonForce Barracuda - Heart Rock and Roll All Nite - Kiss Cult of Personality - Living Colour Hit Me with Your Best Shot - Pat Benatar Lay Down - Priestess Raining Blood - Slayer Guitar Hero Encore Rocks the 80s＠6曲 Caught in a Mosh - Anthrax Play With Me - Extreme Electric Eye - Judas Priest Nothin but a Good Time - Poison Round and Round - Ratt I Wanna Rock - Twisted Sister Guitar Hero Aerosmith Back In The Saddle - Aerosmith
https://w.atwiki.jp/touhoukashi/pages/5970.html
【登録タグ の まり恋SECOND アールグレイ 星の器 ～ Casket of Star 霧雨魔理沙（EG）】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/chiita/pages/1063.html
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https://w.atwiki.jp/physical-examination/pages/15.html
～腹部の身体診察法～ Inspection The Skin Note scars, striae, dilated veins, rashes and lesions, the umbilicus, the contour of the abdomen, peristalsis, and pulsations. Auscultation Bowel sounds Increased = diarrhea,early intestinal obstruction Decreased, absent = adynamic ileus,peritonitis. Bruits Listen for bruits over the aorta, the iliac arteries, and the femoral arteries. Venous Hum soft humming noise with both systolic and diastolic components. It indicates increased collateral circulation between portal and systemic venous systems, as in hepatic cirrhosis. Friction Rubs rare. They are grating sounds with respiratory variation. They indicate inflammation of the peritoneal surface of an organ, as in liver cancer, chlamydial or gonococcal perihepatitis, recent liver biopsy, or splenic infarct. Percussion Palpation Percussion of the liver Measure the vertical span of liver dullness in the right midclavicular line. Palpation of the liver Place your left hand behind the patient, parallel to and supporting the right 11th and 12th ribs and adjacent soft tissues below. Percussion of the spleen Percuss the left lower anterior chest wall between lung resonance above and the costal margin, an area termed Traube s space. As you percuss along the routes suggested by the arrows in the following figures, note the lateral extent of tympany. Assessing percussion tenderness of the kidneys Pressure from your fingertips may be enough to elicit tenderness, but if not, use fist percussion. Place the ball of one hand in the costovertebral angle and strike it with the ulnar surface of your fist. Assessing the aorta Press firmly deep in the upper abdomen, slightly to the left of the midline, and identify the aortic pulsations, Assess the width of the aorta by pressing deeply in the upper abdomen with one hand on each side of the aorta. Important sign and findings!! Murphy’s sign @Acute Cholecystitis Hook your left thumb or the fingers of your right hand under the costal margin at the point where the lateral border of the rectus muscle intersects with the costal margin. Ask the patient to take a deep breath. Watch the patient’s breathing and note the degree of tenderness. Ascites 1.Ascitic fluid seeks the lowest point in the abdomen, producing bulging flanks that are dull to percussion. The umbilicus may protrude. Turn the patient onto one side to detect the shift in position of the fluid level (shifting dullness). 2.Test for a fluid wave Ask the patient or an assistant to press the edges of both hands firmly down the midline of the abdomen. This pressure helps to stop the transmission of a wave through fat. While you tap one flank sharply with your fingertips, feel on the opposite flank for an impulse transmitted through the fluid. Unfortunately, this sign is often negative until ascites is obvious, and it is sometimes positive in people without ascites. ☆Appendicitis 1.Rebound tenderness Rebound tenderness suggests peritoneal inflammation, if appendicitis. If other signs are typically positive, you can save the patient unnecessary pain by omitting this test. 2.Rovsing’s sign and referred rebound tenderness Press deeply and evenly in the left lower quadrant. Then quickly withdraw your fingers. Pain in the right lower quadrant during left-sided pressure suggests appendicitis (a positive Rovsing’s sign). So does right lower quadrant pain on quick withdrawal (referred rebound tenderness). 3.Psoas sign Place your hand just above the patient’s right knee and ask the patient to raise that thigh against your hand. Alternatively, ask the patient to turn onto the left side. Then extend the patient’s right leg at the hip. Flexion of the leg at the hip makes the psoas muscle contract; extension stretches it. Increased abdominal pain on either maneuver constitutes a positive psoas sign, suggesting irritation of the psoas muscle by an inflamed 4.Obturator sign Flex the patient’s right thigh at the hip, with the knee bent, and rotate the leg internally at the hip. This maneuver stretches the internal obturator muscle. Right hypogastric pain constitutes a positive obturator sign, suggesting irritation of the obturator muscle by an inflamed appendix. References Bates Guide to Physical Examination History Taking, 10th Edition. http //wonghongweng.blogspot.com/2008/03/gallstones.html http //intmed.exblog.jp/5914420/